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Mitti Studio
A vaulted interior washed with daylight along its length.

Mitti Studio

Interiors drawn from the ground up — for houses, villas and rooms that are meant to be lived in slowly.

The practice

We begin with theground, never thecatalogue.

Mitti Studio takes on four or five interiors a year. Each one begins from the particulars of its site — the direction the light arrives from, the stone that is quarried nearby, the way a family or a room full of guests will actually move through the space. Nothing is adapted from a previous brief.

What follows is unhurried. Plaster is mixed and tested on site. Joinery is drawn full size before it is built. Lighting is set after dark, circuit by circuit, with the client present. We would rather a room felt inevitable than impressive.

Selected work

Material language

Earth, worked by peoplewe know by name.

Indian craft traditions handled with a modernist eye. The studio keeps a deliberately short list of materials and knows each one intimately — where it comes from, who works it, and how it behaves once a room has been lived in for a decade.

A pale matte surface, light grazing across it.

Lime plaster

Mixed and burnished on site

Takes fingerprints for its first month, then stops. Every wall carries the hand that applied it.

A cut face of dark stone, its bedding planes visible.

Stone

Dholpur, Kota, Makrana

Quarried within the state wherever possible, and marked in chalk at the quarry rather than chosen from a sample chip.

An unlacquered brass bell on dark timber, darkened by handling.

Aged brass

Cast in Jaipur

Left unlacquered on anything a hand will touch daily. It is specified for how it will look in four years, not on handover.

The grain of a reclaimed teak board, planed but unstained.

Reclaimed teak

Salvaged, Kerala

Almost always salvaged. New teak has no history to offer, and takes forty years to earn any.

How we work

Four stages, never rushed.

01

Consultation

An unhurried first conversation, in the space if we can. We want to know how you actually use it, at what hours, and what about it currently defeats you. No proposal yet, and no obligation.

02

Concept

We return with one direction — a plan, a palette, and a tray of real material samples you can handle. Not three options to choose between. One idea, developed for your space, and argued for properly.

03

Design & detailing

Joinery drawn full size. Fabrics left in the room for a fortnight before they are confirmed. Lighting set after dark, circuit by circuit, with you present. This stage takes the longest, deliberately.

04

Delivery

We are on site through the build rather than only at handover, and we place the last pieces ourselves — down to the height of a reading lamp and the depth a chair sits from the wall.

A colonnade receding toward daylight.

We do not decorate rooms.We compose the waylight moves through them.

Mitti Studio

Begin a conversation.

There is no obligation in writing to us. Tell us a little about the space and when you are hoping to begin, and we will reply personally — usually within two or three days.